![]() Natalie MacMaster & Donnell Leahy – Cape Breton and Ontario fiddling The festival performances of King Sunny Adé & His African Beats are presented in collaboration with the Nigerian Association of the Merrimack Valley. Today he remains a towering figure in African music, re-emerging from a hiatus to tour internationally to great acclaim. The 1970s saw him fronting the African Beats, an enormous group including singers, percussionists, dancers, and guitarists, featuring the addition of the distinctive tone of Hawaiian steel guitar, the musical innovation that would win him the greatest accolades worldwide. Before the decade was out he had founded his own group, the Green Spots. King Sunny Adé emerged on the Lagos scene in the 1960s as a member of Moses Olaiya’s Rhythm Dandies. In the following decade still more came in: synthesizer, steel guitar, and vibraphone. By the 1960s practitioners had added in lead, rhythm, and bass guitars, as well as ganga, conga, clave, sekere, and agogo. Born in the early 1900s, jújù imported the sounds of ukulele, banjo, and guitar into Yoruban percussion. Jújù itself is the syncretic product of Western and Nigerian traditions: from church hymns to Yoruban traditional music, from sea shanties to ballads sung by musicians traveling the Nigerian countryside. “I’ve been given flowers, been given handshakes, standing ovations. Over the past half century, King Sunny has lived up to his noble beginnings, a musical icon adored across the globe as one of the most recognizable names in African music. That ambassadorial work comes not only from his myriad albums (he has produced dozens), but also from his live performances, which transport the energy and traditions of Nigeria to his countless fans. King Sunny Adé & His African Beats – Nigerian jùjúīorn into Yor uba royalty in Nigeria, King Sunny Adé has spent the last 45 years defining and transforming the Nigerian music known as jújù, bringing that sound of traditional Yoruba praise music and talking drums overlaid with guitar and keyboard to audiences worldwide. Most recently, Natalie has been invited to perform with the chart-topping multiple platinum selling singer Johnny Reid on his cross-country “What Love Is All About” tour.Listen 2016 Artists 2016 Artists This year’s Folk Festival features performances from: The children have embraced their centuries-old musical inheritance and look forward to sharing the joy they receive from it, benefitting from a musical progeny that ensures that a strong Cape Breton and Canadian fiddling tradition will exist for years to come. Fiddling, step-dancing, and piano lessons find their place alongside hockey sticks, school books, and family events. Natalie strives to bring up her children with the same home, faith, and musical heritage that she received. Natalie is excited to introduce audiences to her children who are growing by musical leaps and bounds. The album includes the first ever recorded versions of the original material that Natalie and Donnell have begun writing together, and these fit seamlessly alongside their refreshing reinterpretations of traditional and contemporary tunes they have discovered in their musical exploration.įollowing up on the release of One, Natalie and her husband have been captivating audiences with the “Visions Of Cape Breton & Beyond” Tour and offering musical insight into the remarkable place, people, and culture that has shaped their lives, music, and family. The result is quite possibly the best fiddle album ever recorded. It was a chance meeting with legendary producer Bob Ezrin (Pink Floyd, Alice Cooper, Deep Purple), who recruited Justin Cortelyou (Taylor Swift, Ke$ha, Alan Jackson) to co–produce, that led to the recording sessions in Cape Breton. Her most recent record release is One a collaboration with her husband, Donnell Leahy, musical leader of double platinum–selling, festival–headlining Celtic family group Leahy.
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